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Wednesday, October 14, 2026
Flux Platform Blog

Ballet Star Matthew Ball on Grueling Roles and Online Attention: 'I'm Not Protective About My Body'

In the hushed ambiance of a lounge near London's prestigious dance company, Matthew Ball orders a mint tea. His carriage is naturally upright, his arms muscular beneath a plain tee. On stage, ballet dancers can appear like mighty gods, yet often offstage they are small. This is not true for Ball, whose tall stature is part of his popularity for heroic roles and pas de deux work. With delicate features and intense eyes, there's a touch of a brooding actor about him.

An Apparent Ascent to the Top

At 31, Ball is enjoying the peak of a career that has advanced smoothly. Raised in Liverpool, he encountered little ridicule for his early interest in ballet. Joining the esteemed training institution at 11, he moved directly into the troupe and was advanced annually, reaching the highest position of principal in 2018. He has loved tackling meaty characters, particularly the emotional turmoil found in a famed choreographer's works.

"Your breath is short, your legs get heavy, but it’s really a mental fatigue."

Ball's next featured appearance is as himself, in an "Evening With" series aiming to offer behind-the-scenes insights into a performer's craft. He will walk the audience through a role, demonstrating his mental process during execution. Yet in more comedic works, the challenge is profound. "A classic ballet is one of the most demanding technically," he states.

The Mental Game and After the Show Feelings

How does he feel following a performance, when he has succeeded? "It feels pretty good," he admits. "But because I'm trying to squeeze all the emotion out of it, and get lost in the character, frequently I do feel self-conscious later. After Mayerling I'm always thinking: Wow, what must people think?"

In person, Ball is thoughtful, polite, and prone to laugh at himself. Yet a dance maker previously remarked on a "kind of suffering in him." Is there? "I am very active usually, but I do have a melancholy streak," he confesses. "I kind of enjoy pessimism sometimes. I've always felt that doubt has been an instigator for good change."

Early Motivations and Creative Influences

His determination stemmed from youthful setbacks. Not excelling in competitions at school made him "driven!" It was motivation to prove he could succeed. Discovering the book *Mao's Last Dancer* was a "watershed" moment. "It flipped a switch, it made me go a bit obsessive," he remembers.

An upcoming challenge is creating his own dance works. For Ball, "there's nothing wrong with." "Challenging the conventions is compelling, but just acting that they’re not a reality any more – I don’t know how far you can go with that." He wants his work to be filled with meaning, drawing inspiration from books, compositions, and painting.

Close-Up Dance and Personal Partnership

He also is interested in staging dance in smaller venues. "It was just really thrilling," he says of a past experience. "You’re so near to the audience. I felt as if they were thinking: 'That’s a human, and they’re sweating.'"

Ball has created pieces with his partner, fellow principal Mayara Magri. The degree of faith between them is clear. "We tried it out on the beach first," he says of a audacious lift. "It resembled Dirty Dancing." They are not usually paired on stage at their home company, which is perhaps healthy. "We’re both quite determined people, so it’s not always smooth sailing," he admits. "But I feel like we’re each other’s biggest cheerleader."

On Social Media and Physical Perception

On social media, followers can see clips from his projects and photos that showcase a athletic physique. Does he mind that the response can be somewhat focused on appearance? Not really. "The body is just what we use, so I don’t feel very precious about it," he explains. He relates it to seeing Michelangelo’s David—an object that can be seen on various levels.

Ball characterizes his younger self as "eager for success." Did it lived up to his expectations? "I am conscious of how life is a separate reality to the dreams you made as a young person," he muses. He probably has about decade of performing left. "I guess in the future, I want to be a bit more kind with myself."

The writer

Angela Clark

Maya is a tech strategist with over a decade of experience in digital transformation and software development, passionate about empowering businesses through innovation.

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